MARSHALL FREDERICKS ONLINE EXHIBITIONS
  • HOME
  • BLOG
  • Resources
  • Create
    • Botanical Ornament
    • Coloring Pages
    • Draw and Share
    • From Drawing to Wire Sculpture
    • Paper Mache
    • Sculpt And Share
    • Soap Carving
  • S.T.E.A.M.
    • Outdoor Sculpture
    • The Science of Metal Casting
    • Sculpture Garden Plant Life
  • Virtual Exhibitions
    • Carl Fredericks
    • Harold Neal
    • Tradition Interrupted
    • Notes From the Quarantimes
    • Luis Garza Photographs
    • RBJSE 2021
    • Michigan Modern
    • Form Foundations
    • Hip Hop Icons
    • Mark Beltchenko: SOS
    • Explorations in Wood
  • Virtual Field Trip
  • Virtual Tour
  • NEA Big Read
    • What is Big Read?
    • House on Mango Street
    • Big Read Calendar
    • Mi Casa, Su Casa >
      • Story Library
    • Big Read Survey
    • Public Art Project >
      • Bay County Art Project
      • Midland County Art Project
      • Saginaw County Art Project
  • HOME
  • BLOG
  • Resources
  • Create
    • Botanical Ornament
    • Coloring Pages
    • Draw and Share
    • From Drawing to Wire Sculpture
    • Paper Mache
    • Sculpt And Share
    • Soap Carving
  • S.T.E.A.M.
    • Outdoor Sculpture
    • The Science of Metal Casting
    • Sculpture Garden Plant Life
  • Virtual Exhibitions
    • Carl Fredericks
    • Harold Neal
    • Tradition Interrupted
    • Notes From the Quarantimes
    • Luis Garza Photographs
    • RBJSE 2021
    • Michigan Modern
    • Form Foundations
    • Hip Hop Icons
    • Mark Beltchenko: SOS
    • Explorations in Wood
  • Virtual Field Trip
  • Virtual Tour
  • NEA Big Read
    • What is Big Read?
    • House on Mango Street
    • Big Read Calendar
    • Mi Casa, Su Casa >
      • Story Library
    • Big Read Survey
    • Public Art Project >
      • Bay County Art Project
      • Midland County Art Project
      • Saginaw County Art Project
  MARSHALL FREDERICKS ONLINE EXHIBITIONS
Picture
Picture
In Time Refocused: The Photographs of Luis C. Garza, Chicano photographer Luis C. Garza offers a selection of 35 black-and-white silver gelatin prints that document what he witnessed in East Los Angeles of the early 1970s, in the South Bronx of the 1960s, and in Budapest, Hungary, which was the site of the World Peace Conference in 1971 where he met Mexican muralist David Alfaro Siqueiros. Some photographic images cannot be forgotten. They become iconic to an age, a place, or both.
​
In this exhibition, Garza’s images are not presented according to place or chronology — the most obvious way of presenting documentary photography. His intent is to subvert the usual distinction between documentation and art that form the two main branches of photography as typically presented. The idea is to suggest a narrative for the viewer to construct on their own. Images are paired or joined, not in an attempt to be glib, but to encourage the viewer to form new images from the combination witnessed. Curated by Armando Durón, the exhibition debuted in 2010, and after a decade-long hiatus, has been reorganized by Melissa Richardson Banks of CauseConnect for a national tour that begins with its run at the Marshall M. Fredericks Sculpture Museum.

ENter English Site

entrar al sitio en español

This exhibition is sponsored by:
Picture