MARSHALL FREDERICKS ONLINE EXHIBITIONS
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  • Create
    • Botanical Ornament
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  • S.T.E.A.M.
    • Outdoor Sculpture
    • The Science of Metal Casting
    • Sculpture Garden Plant Life
  • Virtual Exhibitions
    • Form Foundations
    • Explorations in Wood
    • Mark Beltchenko: SOS
  • Virtual Field Trip
  • Virtual Tour
  • HOME
  • BLOG
  • Resources
  • Create
    • Botanical Ornament
    • Coloring Pages
    • Draw and Share
    • From Drawing to Wire Sculpture
    • Paper Mache
    • Sculpt And Share
    • Soap Carving
  • S.T.E.A.M.
    • Outdoor Sculpture
    • The Science of Metal Casting
    • Sculpture Garden Plant Life
  • Virtual Exhibitions
    • Form Foundations
    • Explorations in Wood
    • Mark Beltchenko: SOS
  • Virtual Field Trip
  • Virtual Tour
  MARSHALL FREDERICKS ONLINE EXHIBITIONS

Virtual Exhibitions

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This virtual exhibition features twenty-five newly conserved Marshall Fredericks figure study drawings. These drawings were conserved by the Midwest Art Conservation Center with grant support from the Institute of Museums and Library Services.  You will see before and after photos of the drawings, and see how the conservation process brings new life to these important figure studies. Along with the drawings will be 360-degree views of several of Fredericks’s figure study sculptures for the viewer to participate by creating their own drawings.  There is also a virtual interactive 360-degree environment in which you can move about the exhibition, read labels, explore the drawings, view Marshalls drawing table complete with the actual tools he used, and learn about the art and science of conservation.

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Mark Beltchenko is a Detroit-area sculptor that is highly skilled in multiple media.  Equally comfortable working in stone, steel, aluminum, wood and the non-ferrous metals, his work serves as a meditation on the good and bad in our current lives: the environment, political hypocrisy, positive growth, greed and human narcissism.  His imagery communicates messages in ways that are both primitive and profound; both sweeping and diminutive. ​


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Our dependence on – and love for – wood cannot be overstated. It’s integral to our very existence in a range of ways, encompassing our man-made environments as well as both utilitarian and decorative items. The organic qualities of wood, our ability to manipulate its shape, its abundance, and its renewable potential are among the reasons wood permeates our culture – including the art world.

The seventy objects comprising Explorations in Wood are a small sample of the work held in the collection of Philadelphia’s Center for Art in Wood, gathered over a forty-year period.